The dark and the bright. The material and the spirituality that emerges from it. If Jacqueline Sacré finds herself in this first Arteurs team today, it is certainly no coincidence. These paths were meant to cross. When he explains his crush, in addition to the quality of the plastic work, Kossi Homawoo underlines “the African character” of the approach. In the last sequence, started at the time of the first confinement, the Toulouse artist went to the end of her garden to dismantle an old cabin. It is these planks, these blackened pillars, these worn materials, carrying a powerful memory, that she has integrated into her sculpture. An approach that is also that of the creators of the Continent. The object, which finds a new function, a new dialogue with the world of men.

To say in a few words, the course of Jacqueline Sacré, we notice with astonishment that the creative conclusion is late. After her art studies, she worked in architecture, then she taught children the happiness of drawing and gouache. “It was worrying the way we had in teaching to kill spontaneity. Already at this time, she experimented with supports. But it was not until 2000 that she opened the door to the studio. To paint his own painting, on a reality which carries in germ all that will follow.